Rebeca Maseda and Emma Gómez Nicolau presented “The configuration of female anger in Little Fires Everywhere”, a paperwork developed along with Maria José Gámez Fuentes, at the 11th European Feminist Research Conference in Milan (Italy) last June 16.  The proposal was to explore how the representation of this anger is expressed in the miniseries Little Fires […]

Rebeca Maseda García (Univeristy of Alaska Anchorage, USA) was the Keynote. speaker for the 2022 First International Congress on Gender and Sexuality in Spanish Cinema. The congress was organized by the Departament de Teoria dels Llenguatges i Ciències de la Comunicació of the Universitat de València (Spain). The title for her opening remarks, playing with the words of […]

The artist Gema Pastor Andrés has exhibited her work “26 p/m” in the exhibition Laboratorio de Arte at the UNICA space in Calle Dulcinea 8 in Madrid from June 28 to September 16, 2022. The work plays with the percentage of female farm owners, which with respect to the national total of farm owners is […]

The Romanesque portico of the Church of San Martín de Miño de San Esteban hosted on September 3 the presentation of the photobook desde el principio edited and designed by Gema Pastor Andrés, Diana Fernández Romero and Rocío Bueno (Colectivo Noctiluca). It was the result of the workshop Reencuadre. Images and poems on care, an […]

Rosalind Gill and Shani Orgad, authors of the book Confidence Culture, speak in an interview in El País about how the culture of self-confidence  can negatively affect the perception that women have of our challenges and adversities.   Desmontando el mito de la autoestima: «La relación con las marcas es tóxica. Te dicen que te […]

In this work we approach Pieces of a Woman (Kornél Mundruczó, 2020), a story of loss, a journey through grieving and the attempt to recover, a story of love and pain. Through the seasons, we witness the grieving process of its protagonists, who approach the abrupt loss of their newborn baby in very different ways. These different ways […]

In this article, we address the bases of current neoliberal subjectivity through a filmic discourse analysis of the film Sorry We Missed You (Ken Loach, 2019), complemented with a critical sociology perspective. Firstly, we identify the discursive logics and values underlying the current neoliberal subjectivity represented in the film. Secondly, we analyse the proactive social claim that […]

In this article, the film Promising Young Woman (Emerald Fennell, 2020) will be analyzed from the Katherine Angel’s proposal about sexual consent exposed in her work El buen sexo mañana. Mujer y deseo en la era del consentimiento(2021), where this author questions the potential of the consent culture as a source of sexual satisfaction, liberation and empowerment of […]

The aim of this text is to reflect on how the gendered perspective has been articulated in the design and teaching of Communication for Equality in the Audiovisual Communication degree at the Universitat Jaume I since it was introduced in the 2012/2013 academic year. Of particular importance, in addition to analysing its context of implementation, […]

Publicado en la editorial Routledge, en este capítulo pretendemos aproximarnos a los trabajos sobre género y estudios del discurso en el contexto hispanohablante. Mapeamos tanto investigaciones que plantean una reflexión epistemológica sobre la construcción de los discursos de género como análisis que utilizan la metodología de los estudios del discurso con perspectiva feminista. Autoras: Núñez […]